{"id":97,"date":"2015-03-29T20:18:14","date_gmt":"2015-03-29T20:18:14","guid":{"rendered":"http:\/\/memoiresactives.org\/?p=97"},"modified":"2015-09-22T13:47:04","modified_gmt":"2015-09-22T13:47:04","slug":"conferences","status":"publish","type":"post","link":"https:\/\/memoiresactives.org\/?p=97","title":{"rendered":"Conf\u00e9rences"},"content":{"rendered":"

Participations \u00e0 des colloques et tables-rondes<\/strong><\/p>\n

– \u00ab\u00a0The Virtual Body\u00a0\u00bb (Le corps virtuel), Universit\u00e9 de l’Alberta, Edmonton, Canada, 19-20 juin 2015.<\/p>\n

– \u00ab\u00a0Promouvoir la critique d\u2019art en France et dans le monde\u00a0\u00bb,\u00a0La critique de l\u2019art contemporain, formes, pratiques et \u00e9critures actuelles<\/em>, Colloque organis\u00e9 par Nathalie Desmet et Claire Fagnart, Universit\u00e9 Paris 8. \u00c9quipe d\u2019accueil A4010 AIAC \u2013 Arts des images et art contemporain, Pavillon Carr\u00e9 de Baudouin, Paris, 6-7 novembre 2014.<\/p>\n

– \u00ab\u00a0La fonction non utilitaire de la cr\u00e9ation\u00a0\u00bb avec Maria Bonnafous-Boucher, colloque\u00a0Le Beau, l\u2019utile, le n\u00e9cessaire<\/em>, Acad\u00e9mie Royales des Beaux-Arts de la ville de Bruxelles, octobre 2012.<\/p>\n

– \u00ab\u00a0Les Figures du visage greff\u00e9\u00a0\u00bb,\u00a0Les questions de la transplantation<\/em>, colloque sous la direction de Fran\u00e7ois Delaporte et Bernard Devauchelle, Cerisy, France, 22-29 Mai 2012. \u00c0 para\u00eetre aux \u00e9ditions Hermann, 2015.<\/p>\n

– \u00ab\u00a0L\u2019art d\u2019assimiler l\u2019autre\u00a0\u00bb, AICA France, Institut National d\u2019Histoire de l\u2019Art, Paris, France, Mars 2011.<\/p>\n

– \u00ab\u00a0Know Thyself, Art and Anatomy\u00a0: A Discontinued history (version 3), (Connais-toi toi-m\u00eame, art et anatomie\u00a0: une histoire discontinue, version 3)\u00a0\u00bb,<\/em>\u00a0Dorothy F. Schmidt College of Arts and Letters,\u00a0Florida Atlantic University, Boca Raton, USA, D\u00e9cembre 2010.<\/em><\/p>\n

–\u00a0<\/em>\u00ab\u00a0The Cyborg as a Figure of Projection (Le Cyborg comme figure de projection)\u00a0\u00bb, University of Lincoln Nebraska, USA, Novembre 2010.<\/em><\/p>\n

– \u00ab\u00a0Human Clocks, Descartes Reading Vesalius (and a few others), (Horloges humaines, Descartes lecteur de V\u00e9sale (et de quelques autres])\u00a0\u00bb, The University of California Center for Medieval and Renaissance Studies et The Getty Research Institute. The Renaissance Society of America, colloque annuel, Venise, Italie, 8-10 avril 2010.<\/p>\n

– \u00ab\u00a0Artistes et entreprises, typologie des postures\u00a0\u00bb, Colloque international,\u00a0Artistes et Entreprises<\/em>, ERBA et la ligne de recherche Art & Flux du CERAP de l\u2019Universit\u00e9 Paris 1 Panth\u00e9on Sorbonne, Saline Royale, Arc-et-Senans, 25 et 26 mars 2010.<\/p>\n

– \u00ab\u00a0<\/em>Know Thyself, Art and Anatomy: A Discontinued history, (Connais-toi toi-m\u00eame, art et anatomie\u00a0: une histoire discontinue, version 3)\u00a0\u00bb,\u00a0<\/em>ESOF 2008, Barcelone, Juillet 2008.<\/p>\n

–\u00a0<\/em>\u00ab\u00a0The Bowels of Saint Erasmus (Les Intestins de Saint Erasme)\u00a0\u00bb, University of California, Santa Barbara, 7 f\u00e9vrier 2008.<\/p>\n

– Mapping the Body (Cartographier le corps)<\/em>, Colloque\u00a0Faith and Space<\/em>, Getty Research Institute, Los Angeles, USA, 2 et 3 mai 2007.<\/p>\n

– \u00ab\u00a0Anatomies de pierre, l\u2019antiquit\u00e9 du corps humain \u00e0 la Renaissance\u00a0\u00bb, colloque\u00a0Techne<\/em>, Getty Research Institute, Los Angeles, USA, 23 au 25 mars 2006.<\/p>\n

–\u00a0<\/em>\u00ab\u00a0Contamination : m\u00e9thode\/esth\u00e9tique\/flux\u00a0\u00bb, Festival Art Live, Turin, Italie, octobre 2000.<\/p>\n

\u00a0<\/strong><\/p>\n

\u00a0<\/strong><\/p>\n

\u00a0<\/b><\/p>\n","protected":false},"excerpt":{"rendered":"

Participations \u00e0 des colloques et tables-rondes – \u00ab\u00a0The Virtual Body\u00a0\u00bb (Le corps virtuel), Universit\u00e9 de l’Alberta, Edmonton, Canada, 19-20 juin 2015. – \u00ab\u00a0Promouvoir la critique d\u2019art en France et dans le monde\u00a0\u00bb,\u00a0La critique de l\u2019art contemporain, formes, pratiques et \u00e9critures actuelles, Colloque organis\u00e9 par Nathalie Desmet et Claire Fagnart, Universit\u00e9 Paris 8. \u00c9quipe d\u2019accueil A4010 AIAC \u2013 Arts des images<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5,47],"tags":[],"class_list":["post-97","post","type-post","status-publish","format-standard","hentry","category-conferences","category-recherche"],"_links":{"self":[{"href":"https:\/\/memoiresactives.org\/index.php?rest_route=\/wp\/v2\/posts\/97","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/memoiresactives.org\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/memoiresactives.org\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/memoiresactives.org\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/memoiresactives.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=97"}],"version-history":[{"count":3,"href":"https:\/\/memoiresactives.org\/index.php?rest_route=\/wp\/v2\/posts\/97\/revisions"}],"predecessor-version":[{"id":100,"href":"https:\/\/memoiresactives.org\/index.php?rest_route=\/wp\/v2\/posts\/97\/revisions\/100"}],"wp:attachment":[{"href":"https:\/\/memoiresactives.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=97"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/memoiresactives.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=97"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/memoiresactives.org\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=97"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}