{"id":502,"date":"2021-08-21T17:22:33","date_gmt":"2021-08-21T17:22:33","guid":{"rendered":"http:\/\/memoiresactives.org\/?p=502"},"modified":"2021-08-22T15:24:01","modified_gmt":"2021-08-22T15:24:01","slug":"derniere-parution","status":"publish","type":"post","link":"https:\/\/memoiresactives.org\/?p=502","title":{"rendered":"<em>Anatomiquement v\u00f4tre, art contemporain et connaissance de soi<\/em>"},"content":{"rendered":"<p><a href=\"http:\/\/memoiresactives.org\/wp-content\/uploads\/20180820_110337.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-medium wp-image-503\" src=\"http:\/\/memoiresactives.org\/wp-content\/uploads\/20180820_110337-202x300.jpg\" alt=\"20180820_110337\" width=\"202\" height=\"300\" srcset=\"https:\/\/memoiresactives.org\/wp-content\/uploads\/20180820_110337-202x300.jpg 202w, https:\/\/memoiresactives.org\/wp-content\/uploads\/20180820_110337-404x600.jpg 404w, https:\/\/memoiresactives.org\/wp-content\/uploads\/20180820_110337.jpg 601w\" sizes=\"auto, (max-width: 202px) 100vw, 202px\" \/><\/a><a href=\"http:\/\/memoiresactives.org\/wp-content\/uploads\/20180820_110420.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-medium wp-image-504\" src=\"http:\/\/memoiresactives.org\/wp-content\/uploads\/20180820_110420-215x300.jpg\" alt=\"20180820_110420\" width=\"215\" height=\"300\" srcset=\"https:\/\/memoiresactives.org\/wp-content\/uploads\/20180820_110420-215x300.jpg 215w, https:\/\/memoiresactives.org\/wp-content\/uploads\/20180820_110420-429x600.jpg 429w, https:\/\/memoiresactives.org\/wp-content\/uploads\/20180820_110420.jpg 644w\" sizes=\"auto, (max-width: 215px) 100vw, 215px\" \/><\/a><br \/>\n\u00c0 la Renaissance, l\u2019\u00eatre humain a ouvert le corps pour acc\u00e9der \u00e0 une connaissance de soi philosophique et eschatologique, anatomique et \u00e9rotique servit par l\u2019art et des modalit\u00e9s de repr\u00e9sentation qui trouvent des prolongements dans la cr\u00e9ation contemporaine. Selon les artistes et les oeuvres, cette ouverture du corps peut \u00eatre r\u00e9elle, symbolique ou fictive, et correspond \u00e0 diff\u00e9rents modes d\u2019exploration : recherche de l\u2019identit\u00e9 corporelle, recherche de l\u2019identit\u00e9 sexuelle ou du genre, voyage dans l\u2019obscurit\u00e9 de l\u2019int\u00e9rieur du corps, confrontation \u00e0 la question de la mort et de sa repr\u00e9sentation, enfin invention de soi et transformation du corps.<br \/>\nDans ce livre, Rapha\u00ebl Cuir montre comment ce questionnement de la connaissance de soi, entam\u00e9 \u00e0 la Renaissance, r\u00e9appara\u00eet aujourd\u2019hui dans l\u2019oeuvre de nombreux artistes, \u00e0 l\u2019\u00e2ge du clonage, de la robotisation et du transhumanisme.<br \/>\n<a href=\"http:\/\/www.editions-scala.fr\/collection\/art-contemporain\/\" target=\"_blank\" rel=\"noopener\">Nouvelles \u00e9ditions Scala<\/a><br \/>\n<a href=\"https:\/\/www.amazon.fr\/Anatomiquement-v%C3%B4tre-Art-contemporain-connaissance\/dp\/2359881833\/ref=sr_1_1?__mk_fr_FR=%C3%85M%C3%85%C5%BD%C3%95%C3%91&amp;dchild=1&amp;keywords=anatomiquement+votre&amp;qid=1614431341&amp;sr=8-1\" target=\"_blank\" rel=\"noopener\">Trouvez-le ici<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u00c0 la Renaissance, l\u2019\u00eatre humain a ouvert le corps pour acc\u00e9der \u00e0 une connaissance de soi philosophique et eschatologique, anatomique et \u00e9rotique servit par l\u2019art et des modalit\u00e9s de repr\u00e9sentation qui trouvent des prolongements dans la cr\u00e9ation contemporaine. Selon les artistes et les oeuvres, cette ouverture du corps peut \u00eatre r\u00e9elle, symbolique ou fictive, et correspond \u00e0 diff\u00e9rents modes d\u2019exploration<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4],"tags":[56,18,67,66,63,58,57,62,53,65,59,54,64,55,60,61],"class_list":["post-502","post","type-post","status-publish","format-standard","hentry","category-articles","tag-ana-mendieta","tag-art-contemporain","tag-bernar-venet","tag-chris-burden","tag-france-cadet","tag-gilles-barbier","tag-gina-pane","tag-guy-ben-ary","tag-jan-fabre","tag-john-isaacs","tag-marc-quinn","tag-marina-abramovic","tag-mona-hatoum","tag-orlan","tag-pilar-albarracin","tag-stelarc"],"_links":{"self":[{"href":"https:\/\/memoiresactives.org\/index.php?rest_route=\/wp\/v2\/posts\/502","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/memoiresactives.org\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/memoiresactives.org\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/memoiresactives.org\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/memoiresactives.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=502"}],"version-history":[{"count":11,"href":"https:\/\/memoiresactives.org\/index.php?rest_route=\/wp\/v2\/posts\/502\/revisions"}],"predecessor-version":[{"id":544,"href":"https:\/\/memoiresactives.org\/index.php?rest_route=\/wp\/v2\/posts\/502\/revisions\/544"}],"wp:attachment":[{"href":"https:\/\/memoiresactives.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=502"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/memoiresactives.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=502"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/memoiresactives.org\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=502"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}