{"id":140,"date":"2015-03-30T21:06:07","date_gmt":"2015-03-30T21:06:07","guid":{"rendered":"http:\/\/memoiresactives.org\/?p=140"},"modified":"2015-04-02T21:06:54","modified_gmt":"2015-04-02T21:06:54","slug":"hybridation-art-contemporain-2","status":"publish","type":"post","link":"https:\/\/memoiresactives.org\/?p=140","title":{"rendered":"Hybridation &#038; art contemporain"},"content":{"rendered":"<p><a href=\"http:\/\/memoiresactives.org\/wp-content\/uploads\/2015\/03\/hybridation_AICAbd.jpg\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/memoiresactives.org\/wp-content\/uploads\/2015\/03\/hybridation_AICAbd-218x300.jpg\" alt=\"hybridation_AICAbd\" width=\"218\" height=\"300\" class=\"alignleft size-medium wp-image-45\" srcset=\"https:\/\/memoiresactives.org\/wp-content\/uploads\/2015\/03\/hybridation_AICAbd-218x300.jpg 218w, https:\/\/memoiresactives.org\/wp-content\/uploads\/2015\/03\/hybridation_AICAbd.jpg 655w\" sizes=\"auto, (max-width: 218px) 100vw, 218px\" \/><\/a><br \/>\nSOUS LA DIRECTION DE RAPHAEL CUIR<br \/>\nL\u2019hybridation : une m\u00e9thode de l\u2019art contemporain ? De nombreuses \u0153uvres d\u2019art hybrident aujourd\u2019hui les formes, les genres, les esp\u00e8ces. Elles d\u00e9sordonnent et r\u00e9ordonnent librement les cat\u00e9gories. Elles nous incitent ainsi \u00e0 \u00e9chapper \u00e0 toute logique pr\u00e9\u00e9tablie afin d\u2019explorer le potentiel de significations d\u2019un monde toujours plus complexe que nous habitons et transformons \u00e0 mesure qu\u2019il nous fabrique lui-m\u00eame. L\u2019hybridation appara\u00eet comme une des m\u00e9thodes de conception privil\u00e9gi\u00e9es de l\u2019\u0153uvre contemporaine. L\u2019hybride est \u00e0 l\u2019origine un compos\u00e9 de deux \u00e9l\u00e9ments de nature diff\u00e9rente anormalement r\u00e9unis, en biologie c\u2019est le m\u00e9lange de deux esp\u00e8ces diff\u00e9rentes comme la truie et le sanglier, l\u2019\u00e2ne et la jument : \u00abL\u2019hybride culturel est un \u00e9largissement m\u00e9taphorique de cette d\u00e9finition biologique.[\u2026] C\u2019est quelque chose d\u2019h\u00e9t\u00e9rog\u00e8ne dans son origine ou sa composition\u00bb. L\u2019hybridation peut prendre des formes tr\u00e8s diverses dans l\u2019art. Les artistes s\u2019en servent pour jouer de sa force de contraste, sa capacit\u00e9 \u00e0 faciliter l\u2019association des contraires qu\u2019elle temp\u00e8re dans l\u2019homog\u00e9n\u00e9it\u00e9 de l\u2019\u0153uvre. Des critiques et historiens de l\u2019art sp\u00e9cialistes d\u2019esth\u00e9tique et d\u2019art contemporain interrogent la notion d\u2019hybridation et analysent son impact dans les \u0153uvres contemporaines. Ils en \u00e9tudient les diverses modalit\u00e9s, notamment du point de vue des th\u00e9ories postcoloniales et des nouvelles technologies dans un monde globalis\u00e9. Des artistes apportent aussi leur indispensable t\u00e9moignage et exposent leur conception et leur utilisation de l\u2019hybridation \u00e0 des fins subversives, critiques et politiques.<\/p>\n<p>Textes de : Bronwyn Law-Viljoen, Raphael Cuir, M\u00e9lanie Bouteloup, \u00c9lisabeth Couturier, Raimi Gbadamosi, Christine Buci-Glucksmann, ORLAN, Scenocosme, Pascale Marthine Tayou acheter ISBN : 978-2-84761-792-4 | illus. quadri + hard cover | 134 pages |<\/p>\n","protected":false},"excerpt":{"rendered":"<p>SOUS LA DIRECTION DE RAPHAEL CUIR L\u2019hybridation : une m\u00e9thode de l\u2019art contemporain ? De nombreuses \u0153uvres d\u2019art hybrident aujourd\u2019hui les formes, les genres, les esp\u00e8ces. Elles d\u00e9sordonnent et r\u00e9ordonnent librement les cat\u00e9gories. Elles nous incitent ainsi \u00e0 \u00e9chapper \u00e0 toute logique pr\u00e9\u00e9tablie afin d\u2019explorer le potentiel de significations d\u2019un monde toujours plus complexe que nous habitons et transformons \u00e0<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[7],"tags":[],"class_list":["post-140","post","type-post","status-publish","format-standard","hentry","category-direction"],"_links":{"self":[{"href":"https:\/\/memoiresactives.org\/index.php?rest_route=\/wp\/v2\/posts\/140","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/memoiresactives.org\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/memoiresactives.org\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/memoiresactives.org\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/memoiresactives.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=140"}],"version-history":[{"count":1,"href":"https:\/\/memoiresactives.org\/index.php?rest_route=\/wp\/v2\/posts\/140\/revisions"}],"predecessor-version":[{"id":141,"href":"https:\/\/memoiresactives.org\/index.php?rest_route=\/wp\/v2\/posts\/140\/revisions\/141"}],"wp:attachment":[{"href":"https:\/\/memoiresactives.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=140"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/memoiresactives.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=140"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/memoiresactives.org\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=140"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}