{"id":101,"date":"2015-03-29T20:21:40","date_gmt":"2015-03-29T20:21:40","guid":{"rendered":"http:\/\/memoiresactives.org\/?p=101"},"modified":"2015-09-22T13:47:47","modified_gmt":"2015-09-22T13:47:47","slug":"communications","status":"publish","type":"post","link":"https:\/\/memoiresactives.org\/?p=101","title":{"rendered":"Communications"},"content":{"rendered":"

– Cyborg: Genealogy of a stereotype<\/em>, (Cyborg\u00a0: G\u00e9n\u00e9alogie d\u2019un st\u00e9r\u00e9otype),\u00a0School of Creative Media, City University<\/strong>, Hong Kong, Mars 2013.<\/p>\n

–\u00a0<\/em>\u00ab\u00a0Highlights of Anatomy\u00a0: From Self-dissection to Human Clocks (Temps forts de l\u2019anatomie\u00a0: de l\u2019autodissection \u00e0 l\u2019horloge humaine)\u00a0\u00bb,\u00a0La Maison Fran\u00e7aise, New York University<\/strong>, USA, octobre 2012.<\/em><\/p>\n

–\u00a0\u00c9corch\u00e9s mais vifs, exemples dans l\u2019art contemporain et \u00e0 la Renaissance<\/em>,\u00a0Instituci\u00f3n Universitaria Bella Artes y Ciencias de Bol\u00edvar<\/strong>, Colombie, Juin 2012.<\/p>\n

– Cyborg: G\u00e9n\u00e9alogie d\u2019un st\u00e9r\u00e9otype<\/em>,\u00a0School of Art ASAB Universidad Distrital<\/strong>, Colombie, Mai 2012.<\/p>\n

–\u00a0Dissection de soi \/ connaissance de soi<\/em>,\u00a0Museo de Antioquia<\/strong>, Medellin, Colombie, Juin 2012.<\/p>\n

– (Avec M. Bonnafous-Boucher), \u00ab\u00a0Cr\u00e9ativit\u00e9 et Innovation, relier les mondes disjonts : La Chaire de Recherche en Cr\u00e9ation et Cr\u00e9ativit\u00e9\u00a0\u00bb, Commission Europ\u00e9enne, \u00ab\u00a0the Open Days 2009 Fringe Event on European Design as an Expression of Creativity & Innovation\u00a0\u00bb,\u00a0Agence de Liaison Flandres Europe<\/strong>, Bruxelles, octobre 2009.<\/p>\n

– Know Thyself, Art and Anatomy\u00a0: A Discontinued history (Connais-toi toi-m\u00eame, art et anatomie\u00a0: une histoire discontinue)<\/em>,\u00a0Universit\u00e9 de Sa\u00f5 Paolo<\/strong>, ao\u00fbt 2008.<\/p>\n

– Know Thyself, Art and Anatomy\u00a0: A Discontinued history (Connais-toi toi-m\u00eame, art et anatomie\u00a0: une histoire discontinue)<\/em>, The Courtauld Institute of Art, Londres, F\u00e9vrier 2008.<\/p>\n

–\u00a0\u00ab\u00a0What doesn\u2019t kill us makes us stronger\u00a0\u00bb – identity and representation by French women artists, 1970s \u2013 today<\/em>\u00a0(\u00ab\u00a0ce qui ne nous tue pas nous rend plus forts\u00a0\u00bb, identit\u00e9 et repr\u00e9sentation par les artistes femmes fran\u00e7aises de 1970 \u00e0 nos jours<\/em>),\u00a0Curtin University of Technology<\/strong>, Perth, Australie, ao\u00fbt 2007.<\/p>\n

– The Cyborg as a Figure of Projection,<\/em>\u00a0UWA,\u00a0University of Western Australia<\/strong>, Perth, ao\u00fbt 2007.<\/em><\/p>\n

– Know Thyself, Art and Anatomy\u00a0: A Discontinued history,<\/em>\u00a0UWA,\u00a0University of Western Australia<\/strong>, Perth, ao\u00fbt 2007.<\/em><\/p>\n

– Know Thyself, Art and Anatomy\u00a0: A Discontinued history,<\/em>\u00a0University of Technology<\/strong>, Sydney, juillet 2007.<\/em><\/p>\n

–\u00a0Au c\u0153ur du corps<\/em>,\u00a0Ecole Nationale des Beaux arts de Dijon<\/strong>, avril 2002.<\/p>\n

–\u00a0L’art sur Internet<\/em>,\u00a0l’exemple de M\u00e9moires Actives<\/em>,\u00a0Art-Jonction<\/strong>, Nice, septembre 2000.<\/p>\n

– L’art et la violence<\/em>\u00a0: sens et fonctions,<\/em>\u00a0Mois de l’image<\/strong>, Dieppe, avril 1998.<\/p>\n

– L’art et l’abject, Andres Serrano, The Morgue,<\/em>\u00a0University of Washington Seattle<\/strong>, d\u00e9partement d’histoire de l’art, USA, avril 1997.<\/p>\n

 <\/p>\n

 <\/p>\n

\u00a0<\/b><\/p>\n","protected":false},"excerpt":{"rendered":"

– Cyborg: Genealogy of a stereotype, (Cyborg\u00a0: G\u00e9n\u00e9alogie d\u2019un st\u00e9r\u00e9otype),\u00a0School of Creative Media, City University, Hong Kong, Mars 2013. –\u00a0\u00ab\u00a0Highlights of Anatomy\u00a0: From Self-dissection to Human Clocks (Temps forts de l\u2019anatomie\u00a0: de l\u2019autodissection \u00e0 l\u2019horloge humaine)\u00a0\u00bb,\u00a0La Maison Fran\u00e7aise, New York University, USA, octobre 2012. –\u00a0\u00c9corch\u00e9s mais vifs, exemples dans l\u2019art contemporain et \u00e0 la Renaissance,\u00a0Instituci\u00f3n Universitaria Bella Artes y Ciencias<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[15,47],"tags":[],"class_list":["post-101","post","type-post","status-publish","format-standard","hentry","category-communications","category-recherche"],"_links":{"self":[{"href":"https:\/\/memoiresactives.org\/index.php?rest_route=\/wp\/v2\/posts\/101","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/memoiresactives.org\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/memoiresactives.org\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/memoiresactives.org\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/memoiresactives.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=101"}],"version-history":[{"count":1,"href":"https:\/\/memoiresactives.org\/index.php?rest_route=\/wp\/v2\/posts\/101\/revisions"}],"predecessor-version":[{"id":102,"href":"https:\/\/memoiresactives.org\/index.php?rest_route=\/wp\/v2\/posts\/101\/revisions\/102"}],"wp:attachment":[{"href":"https:\/\/memoiresactives.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=101"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/memoiresactives.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=101"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/memoiresactives.org\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=101"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}